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This
event lead to the creation of Mulleian's 1970 prophetic painting entitled Forsaken
Paradise, foretelling of a world to come that clearly emphasizes an ecological
calamity. This six by four foot painting was Mulleian's first of it's kind,
and it consequently opened the doors to many of the artist's other greatest
works which followed through decades to come. Paintings such as The Calendar
2047, a 1971 piece, also like his painting Forsaken Paradise, depicts a planet
in peril. His notable work Dies Irae, as well as Prevailing Dawn, both foretell
nuclear catastrophe. Stone Effigy gives a glimpse into the future through a
space/time continuum, as both dimensions blend within a temporal paradigm, also
warning us of the dangers of our unconscious ecological and moral trajectory.
And another work, The Crypt, depicts a critical convergence, revealing ancient,
transformative information yet to be discovered beneath the sands of Egypt,
marking the beginning of a New Age. Many of Mulleians most profound paintings
convey prophetic messages as warnings, as well as inform us of the transformative
powers within ourselves. Finally, there is Forces of Man and Nature, a dramatic
work that underscores the consequences of Mans unthoughtful alliances
and shortsighted miscalculations in relation to his place within the overall
economy of Nature. Just when hope and human consciousness are about to vanish
into darkness, and mans environmental enslavement and ultimate extinction
seem assured, Nature intervenes to compensate, correct, and restore the balance.
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