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Visitors
to the Frank Gallery would bring people from all walks of life, ranging from
the very young to the very old, from the poor to the very rich, from the common
folk to the very famous, from the blue - collar workers to the intellectuals.
His works were breaking barriers through universal means, bringing people together,
which eventually led to a large following of Mulleian's paintings on a national
and international scale. Ongoing pilgrimages would be made by the many to see
a Mulleian exhibit. Countless many would come to see the artist at work in his
studio. Noted for his startling realism and detail, along with his thought-provoking
subject matter, Mulleian was breaking barriers on a universal level, as well
as drawing people of diverse perspectives together. People would bring gifts
and letters, mail from all over the country and Europe would be sent to the
artist. But through all the years, Mulleian remembers one visitor in particular,
a visitor who seemed to convey an aura of timelessness. One afternoon, while
high up on the scaffold working on a large scale painting entitled Progression,
Mulleian looked down to see a stranger who seemed to silently beckon him to
descend. Upon climbing down from the scaffold and drawing nearer to meet this
person, after a brief introduction there was suddenly a warm, deep eye contact
and a gesture of Providential blessing. Extended gently in a weathered, steady
hand was a bottle of rare vintage champagne, a gift of appreciation and affirmation
from the hand of a 90 year old woman. There were no further words spoken. This
is one story among many that convey the public reaction to the artist's work
and its effects on an appreciative public. Often that effect is a transcendent
testament of generations coming together. |